рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓! Chemistry of Love! Physics of Crime!Phenomenon of Mafia Raj across the borders!
https://www.youtube.com/watch?v=i4b8FVaNytc&feature=youtu.be
рдорд╛рдлрд┐рдпрд╛,рджрд╣рд╢рддрдЧрд░реНрдж, рдЧреБрдВрдбреЗ рд╣реБрдХреВрдордд рдкреИрджрд╛ рдХрд░рддреА рд╣реИред рдкрд╛рд▓рддреА, рдорд╛рд░рддреА рднреА рд╡рд╣ рд╣реА рд╣реИред
рдореБрд╣рдмреНрдмрдд рдХреА рдЬрдВрдЧ рд╣реА рдЕрд╕рд▓ рдЬрдВрдЧ рд╣реИ рдЬреЛ рдЬреАрддреЗ рдореБрд╣рдмреНрдмрдд рдХреА рдЬрдВрдЧ рд╡реЗ рд╣реА рд╕рд┐рдХрдВрджрд░ рдФрд░ рдирдлрд░рдд рдХреЗ рдХрд╛рд░реЛрдмрд╛рд░ рдореЗрдВ рдорд╛рд▓рд╛рдорд╛рд▓ рд╣рд░ рд╕реМрджрд╛рдЧрд░ рдХрд╛ рдЖрдЦреЗрд░ рдмреЗрдбрд╝рд╛ рдЧрд░реНрдХред
рдмрд╛рд▓реАрд╡реВрдб рдиреЗ рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдЬреАрддрд╛ рд╣реИредрд╣рд░ рдореБрд╣рдмреНрдмрдд рднрд░реЗ рджрд┐рд▓ рдХреЛ рдЬреАрддрд╛ рд╣реИред
рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ рдХрд╛ рд╕рдмрд╕реЗ рдмрдбрд╝рд╛ рд╕рдмрдХ рдпрд╣реА рд╣реИред
рдореЗрдЬ рдкрд░ рдХрд░рд╛рдЪреА рдХрд╛ рдирдХреНрд╢рд╛ рд╣реИ рдФрд░ рдкреБрд░рд╛рдирд╛ рдбрд╛рди рдирдпреЗ рдбрд╛рди рдмрдиреЗ рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ рдХреЛ рдЙрд╕рдХрд╛ рдЗрд▓рд╛рдХрд╛ рд╕рдордЭрд╛ рд░рд╣рд╛ рд╣реИредрдкреБрд░рд╛рдиреЗ рдбрд╛рди рдиреЗ рдЕрдкрдирд╛ рдФрд░ рдЕрдлрдЬрд╛рд▓ рдХрд╛ рдЗрд▓рд╛рдХрд╛ рджрд┐рдЦрд╛рдпрд╛ рддреЛ рдирдпреЗ рдбрд╛рди рдиреЗ рдмрд╛рдХреА рдЗрд▓рд╛рдХреЛрдВ рдХреЗ рдмрд╛рд░реЗ рдореЗрдВ рдкреВрдЫрд╛ рддреЛ рдЬрд╡рд╛рдм рдорд┐рд▓рд╛ рдХрд┐ рд╕рд╛рд░реЗ рдЗрд▓рд╛рдХреЗ рдмрдВрдЯреЗ рд╣реБрдП рд╣реИрдВ,рдЬрд╣рд╛рдВ рдХрд┐рд╕реА рди рдХрд┐рд╕реА рджрд╛рджрд╛,рдЧреБрдВрдбрд╛ рдФрд░ рдбрд╛рди рдХрд╛ рд░рд╛рдЬ рд╣реИред
рдкреВрд░рд╛ рдХрд░рд╛рдЪреА рд╢рд╣рд░ рдФрд░ рдкреВрд░рд╛ рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдорд╛рдлрд┐рдпрд╛рдФрд░ рдЧреБрдВрдЬрдбрд╛ рд░рд╛рдЬ рдХреЗ рд╣рд╡рд╛рд▓реЗ рд╣реИрдВред
рдорддрд▓рдм рд╕рдордЭ рд▓реАрдЬрд┐рдпреЗред
рдкрд▓рд╛рд╢ рд╡рд┐рд╢реНрд╡рд╛рд╕
Official promo:The power of words is a wonderful thing. It can melt a frozen heart, unite lovers, and mend pain. Pyarey Afzal is a heart touching story of a young man's struggle, to win the woman of his dreams. using words to paint canvases of love and affection. He expresses his desires in letters, but keeps them a secret. but when a conflict arises between families, the young man is forced to leave his home, a situation that exposes his hidden letters to everyone, including the woman of his affections.
рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдХреЛ рд╣рд┐рдВрджреБрд╕реНрддрд╛рди рд╕реЗ рдореБрд╣рдмреНрдмрдд рдХреБрдЫ рдХрдо рдирд╣реАрдВ рд╣реИ рдЪрд╛рд╣реЗ рд╣рд┐рдВрджреБрд╕реНрддрд╛рди рдХреЛ рдкрд╛рдХрд┐рд╕реНрддрд╛рди рд╕реЗ рдореБрд╣рдмрдмреНрдд рд╣реЛ рдирд╛ рд╣реЛредрдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ рдпрд╛ рдХрд┐рд╕реА рднреА рдкрд╛рдХрд┐рд╕реНрддрд╛рдиреА рдбреНрд░рд╛рдореЗ рдХреЗ рд╕рд╛рдЙрдВрдб рдЯреНрд░реЗрдХ рдХреЛ рд╕реБрди рд▓реЗрдВ рдЙрд╕рдкрд░ рд╣рд╛рд╡реА рдмрд╛рд▓реАрд╡реВрдб рд╣реИред
рдмрд╛рд▓реАрд╡реВрдб рдиреЗ рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдЬреАрддрд╛ рд╣реИредрд╣рд░ рдореБрд╣рдмреНрдмрдд рднрд░реЗ рджрд┐рд▓ рдХреЛ рдЬреАрддрд╛ рд╣реИред
рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ рдХрд╛ рд╕рдмрд╕реЗ рдмрдбрд╝рд╛ рд╕рдмрдХ рдпрд╣реА рд╣реИред
рд╕рдмрдХ рдпрд╣ рднреА рд╣реИ рдХрд┐ рдЬрдВрдЧ рд╣рдо рддреАрди рд▓рдбрд╝ рдЪреБрдХреЗ рд╣реИрдВ рдФрд░ рдЬрдВрдЧ рдЕрднреА рдмрд╛рдХреА рд╣реИредрдЕрдм рд╣рдорд╛рд░реЗ рд╣реБрдХреНрдорд░рд╛рди рд╕реМрджрд╛ рдлрд┐рд░ рдХрд░реЗрдВрдЧреЗ рдХрд┐ рдХрдм рдирдпреЗ рд╕рд┐рд░реЗ рд╕реЗ рд╡рдХреНрдд рдХреА рдирдЬрд╛рдХрдд рдХреЗ рдореБрддрд╛рдмрд┐рдХ рдлрд┐рд░ рдХреЛрдИ рдХрд╛рд░рдЧрд┐рд▓ рдпрд╛ рдлрд┐рд░ рдХреЛрдИ рдлреВрд▓ рд╡рд╛рд░ рд╣реЛредрдлрд┐рд░ рднреА рди рд╣рд┐рдВрджреБрд╕реНрддрд╛рди рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдлрддрд╣ рдХрд░ рд╕рдХрддрд╛ рд╣реИ рдФрд░ рди рдкрд╛рдХрд┐рд╕реНрддрд╛рди рднрд╛рд░рдд рдХрд╛ рдХреБрдЫ рдЙрдЦрд╛рдбрд╝ рд╕рдХрддрд╛ рд╣реИред
рдлрд╛рд░реБрдЦ рдЕрдмреНрджреБрд▓реНрд▓рд╛ рдиреЗ рд╣рд╛рд▓ рдореЗрдВ рд╕рд╣реА рдХрд╣рд╛ рд╣реИ рдХрд┐ рдЖрддрдВрдХ рдХрд╛ рдореБрдХрд╛рдмрд▓рд╛ рд░рд╛рд╖реНрдЯреНрд░ рдирд╣реАрдВ рдХрд░ рд╕рдХрддрд╛редрд╕рд╣реА рдЗрд╕рд▓рд┐рдП рдХрд┐ рд░рд╛рд╖реНрдЯреНрд░ рд╣реА рдЖрддрдВрдХрд╡рд╛рджреА рдкреИрджрд╛ рдХрд░рддрд╛ рд╣реИред
рд╣рдордиреЗ рд╣рд╛рд▓ ┬ардореЗрдВ рддрд╛рд▓рд┐рдмрд╛рди, рдЕрд▓рдХрд╛рдпрджрд╛ рдФрд░ рдЖрдЗрд╕рд┐рд╕ рдХреА рдХреБрдВрдбрд▓реА рдмрд╛рдВрдЪреА рд╣реИредрдЕрдореЗрд░рд┐рдХрд╛ рдиреЗ рдкреИрджрд╛ рдХрд┐рдпреЗ рддрдорд╛рдореЛ рднрд╕реНрдорд╛рд╕реБрд░ рдФрд░ рд╕рд╛рд░реЗ рд╕реБрджрд░реНрд╕рди рдЪрдХреНрд░ рдЙрдирдХреЗ рд╕рдлрд╛рдпреЗ рдХреЗ рдмрджрд▓реЗ рдЙрдирдХреА рд╣рд┐рдлрд╛рдЬрдд рдореЗрдВ рд▓рдЧреЗ рд╣реИрдВред
рдЕрдореЗрд░рд┐рдХрд╛ рдиреЗ рдкреИрджрд╛ рдХрд┐рдпреЗ рдЖрдЗрд╕рд┐рд╕ рддреЛ рдЗрдЬрд░рд╛рдЗрд▓ рдиреЗ рдкрд╛рд▓рд╛ рдкреЛрд╕рд╛редрдореМрд▓рд┐рдХ рд╕рдВрдХрдЯ рдЕрдлрдЧрд╛рдирд┐рд╕реНрддрд╛рди рдореЗрдВ рд╕реЛрд╡рд┐рдпрдд рд╣рд╕реНрддрдХреНрд╖реЗрдк рд╕реЗ рд╢реБрд░реБ рд╣реБрдЖ рдмрд╛рдХреА рддреЗрд▓ рдпреБрджреНрдз рд╣реИред
рджрд░рдЕрд╕рд▓ рдирдлрд░рдд рдФрд░ рдЬрдВрдЧ рдХреЗ рдЬрд░рд┐рдпреЗ рдХреЛрдИ рдореБрд▓реНрдХ рдЬреАрддрд╛ рдирд╣реАрдВ рдЬрд╛рддрд╛редрд╣рд┐рдВрджреБрд╕реНрддрд╛рди рдлрддрд╣ рдХрд░рдиреЗ рдХреЗ рдмрд╛рд╡рдЬреВрдж рд╕рд┐рдХрдВрджрд░ рдХреЛ рдпрд╣ рдЕрд╣рд╕рд╛рд╕ рд╣реБрдЖ рддреЛ рд╕рд░ рдЭреБрдХрд╛рдХрд░ рд╡рд╛рдкрд╕ рд▓реМрдЯрд╛ред
рд╕рдореНрд░рд╛рдЯ рдЕрд╢реЛрдХ рдиреЗ рднреА рдХрд▓рд┐рдВрдЧ рдЬреАрддрд╛ рдерд╛ рдФрд░ рдмрд╛рдХреА рдЗрддрд┐рд╣рд╛рд╕ рд╣реИред
рдореБрд╣рдмреНрдмрдд рдХреА рдЬрдВрдЧ рд╣реА рдЕрд╕рд▓ рдЬрдВрдЧ рд╣реИ рдЬреЛ рдЬреАрддреЗ рдореБрд╣рдмреНрдмрдд рдХреА рдЬрдВрдЧ рд╡реЗ рд╕рд┐рдХрдВрджрд░ рдФрд░ рдирдлрд░рдд рдХреЗ рдХрд╛рд░реЛрдмрд╛рд░ рдореЗрдВ рдорд╛рд▓рд╛рдорд╛рд▓ рд╣рд░ рд╕реМрджрд╛рдЧрд░ рдХрд╛ рдЖрдЦреЗрд░ рдмреЗрдбрд╝рд╛ рдЧрд░реНрдХред
рд╣рдордиреЗ рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ рдХреА рдЪрд░реНрдЪрд╛ рдХрд░рдирд╛ рдЗрд╕рд▓рд┐рдП рдЬрд░реБрд░реА рд╕рдордЭрд╛ рдХрд┐ рдЗрд╕ рдкрд╛рдХрд┐рд╕реНрддрд╛рдиреА рдбреНрд░рд╛рдорд╛ рдиреЗ рдЖрдВрдХреЛрдВ рдореЗрдВ рдЙрдВрдЧрд▓реА рдбрд╛рд▓рдХрд░ рдмрддрд╛ рджрд┐рдпрд╛ рд╣реИ рдХрд┐ рдХреИрд╕реЗ рд╢рд╣рд░ рджрд░ рд╢рд╣рд░,рдореБрд▓реНрдХ рджрд░ рдореБрд▓реНрдХ рдорд╛рдлрд┐рдпрд╛ рдФрд░ рдЧреБрдВрдбреЛрдВ рдХреЗ рд╣рд╡рд╛рд▓реЗ рд╣реИредрдЬрд╣рд╛рдВ рдкреНрд░рд╢рд╛рд╕рди рд╕рд┐рд░реНрдл рдЬрдирддрд╛ рдкрд░ рд╣реБрдХреВрдордд рдХреЗ рд╡рд╛рд╕реНрддреЗ рд╣реИ рдЬрдмрдХрд┐ рдмрд╛рдХреА рд╕рдмрдХреБрдЫ рдорд╛рдлрд┐рдпрд╛ рд░рд╛рдЬ рдХреЗ рд╣рд╡рд╛рд▓реЗ рд╣реИрдВред
рдЧреБрдВрдбреЛрдВ рдХреЗ рд▓рд┐рдП рди рдХреЛрдИ рд▓рд╛рд▓ рдпрд╛ рд╣рд░рд╛ рд╕рд┐рдЧрдирд▓ рд╣реИ рди рдХреЛрдИ рджрд╛рдпрд░рд╛редрдЗрд╕реАрд▓рд┐рдП рдХрддреНрд▓реЗрдЖрдо рдФрд░ рдмрд▓рд╛рддреНрдХрд╛рд░ рдХреА рдпрд╣ рд╕реБрдирд╛рдореАред
рдХрд╛рдиреВрди рд╕рд┐рд░реНрдл рдЬрдирддрд╛ рдХреЗ рджрдорди рдХреЗ рд▓рд┐рдП рд╣реИ рдЧреБрдВрдбреЛрдВ рдФрд░ рдорд╛рдлрд┐рдпрд╛ рдХреЗ рд▓рд┐рдП рдХрд╛рдиреВрди рдирд╣реАрдВ рд╣реИредрдорд╛рдлрд┐рдпрд╛ рдФрд░ рдЧреБрдВрдбреЗ рд╣реБрдХреВрдордд рдкреИрджрд╛ рдХрд░рддреА рд╣реИред
рд╡рд╣реА рд╕реБрдкрд╛рд░реА рджреЗрддреА рд╣реИ рдФрд░ рд╡рд╣реА рдЙрдиреНрд╣реЗрдВ рдкрдирд╛рд╣ рджреЗрддреА рд╣реИред
рд╣реБрдХреНрдордЙрджреВрд▓реА рдЬрдм рдЙрдирд╕реЗ рд╣реЛ рдЬрд╛рддреА рд╣реИ,рддрдм рдЙрдиреНрд╣реЗрдВ рдореБрдардмреЗрдбрд╝ рдореЗрдВ рдорд╛рд░ рджрд┐рдпрд╛ рдЬрд╛рддрд╛ рд╣реИ рдФрд░ рд╣реБрдХреНрдореБрджреВрд▓реА рдирд╣реАрдВ рд╣реЛрддреА рдФрд░ рд╕рдореАрдХрд░рдг рдмрджрд▓ рдЬрд╛рддреЗ рд╣реИрдВ рддреЛ рдкреИрд╕реЗ рджреЗрдХрд░ рд╕реЗрдл рдХрд╛рд░реАрдбреЛрд░ рд╕реЗ рдЙрдиреНрд╣реЗрдВ рдХрд┐рд╕реА рдФрд░ рдореБрд▓реНрдХ рдореЗрдВ рднреЗрдЬ рджрд┐рдпрд╛ рдЬрд╛рддрд╛ рд╣реИред
рдпрд╣ рд╣рд░ рдореБрд▓реНрдХ рдХрд╛ рдЕрд╕рд▓ рдХрд┐рд╕реНрд╕рд╛ рд╣реИред
рдореЗрдЬ рдкрд░ рдХрд░рд╛рдЪреА рдХрд╛ рдирдХреНрд╢рд╛ рд╣реИ рдФрд░ рдкреБрд░рд╛рдирд╛ рдбрд╛рди рдирдпреЗ рдбрд╛рди рдмрдиреЗ рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ рдХреЛ рдЙрд╕рдХрд╛ рдЗрд▓рд╛рдХрд╛ рд╕рдордЭрд╛ рд░рд╣рд╛ рд╣реИредрдкреБрд░рд╛рдиреЗ рдбрд╛рди рдиреЗ рдЕрдкрдирд╛ рдФрд░ рдЕрдлрдЬрд╛рд▓ рдХрд╛ рдЗрд▓рд╛рдХрд╛ рджрд┐рдЦрд╛рдпрд╛ рддреЛ рдирдпреЗ рдбрд╛рди рдиреЗ рдмрд╛рдХреА рдЗрд▓рд╛рдХреЛрдВ рдХреЗ рдмрд╛рд░реЗ рдореЗрдВ рдкреВрдЫрд╛ рддреЛ рдЬрд╡рд╛рдм рдорд┐рд▓рд╛ рдХрд┐ рд╕рд╛рд░реЗ рдЗрд▓рд╛рдХреЗ рдмрдВрдЯреЗ рд╣реБрдП рд╣реИрдВ,рдЬрд╣рд╛рдВ рдХрд┐рд╕реА рди рдХрд┐рд╕реА рджрд╛рджрд╛,рдЧреБрдВрдбрд╛ рдФрд░ рдбрд╛рди рдХрд╛ рд░рд╛рдЬ рд╣реИред
рдкреВрд░рд╛ рдХрд░рд╛рдЪреА рд╢рд╣рд░ рдФрд░ рдкреВрд░рд╛ рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдорд╛рдлрд┐рдпрд╛рдФрд░ рдЧреБрдВрдЬрдбрд╛ рд░рд╛рдЬ рдХреЗ рд╣рд╡рд╛рд▓реЗ рд╣реИрдВред
рдорддрд▓рдм рд╕рдордЭ рд▓реАрдЬрд┐рдпреЗред
рдХрд┐рд╕реА рднреА рдорд╛рдзреНрдпрдо рдФрд░ рд╡рд┐рдзрд╛ рдХреА рдХрд┐рд╕реА рднреА рд░рдЪрдирд╛ рдХреА рдкрд░рдЦ рд╣рдо рд╕рд╛рдорд╛рдЬрд┐рдХ рдпрдерд╛рд░реНрде рдХреА рдХрд╕реМрдЯреА рдкрд░ рдХрд░рддреЗ рд╣реИрдВредрдЙрд╕реА рдореБрддрд╛рдмрд┐рдХ рдЬрд░реБрд░реА рд╣реБрдЖ рддреЛ рдЙрд╕рдХреА рдЪреАрдбрд╝рдлрд╛рдбрд╝ рдХрд░рддреЗ рд╣реИрдВ рдЕрдЧрд░ рдЙрд╕рдХреЗ рд╕рдВрджрд░реНрдн рдФрд░ рдкреНрд░рд╕рдВрдЧ рд╕реЗ рд╣рдорд╛рд░рд╛ рд╕рдордп рдХрд┐рд╕реА рди рдХрд┐рд╕реА рд░реБрдк рдореЗрдВ рдкреНрд░рднрд╛рд╡рд┐рдд рд╣реЛрддрд╛ рд╣реИред
рд╣рдо рдЗрд╕ рдорд╣рд╛рджреЗрд╢ рдХреЗ рднреВрдЧреЛрд▓ рдФрд░ рдЗрддрд┐рд╣рд╛рд╕ рдХреА рд╡рд┐рд░рд╛рд╕рдд рд╕рд╛рдЭрд╛ рдорд╛рдирддреЗ рд╣реИрдВ рдФрд░ рдордЬрд╣рдм рдФрд░ рд╕рд┐рдпрд╛рд╕рдд рдХреЗ рджрд╛рдпрд░реЗ рд╕реЗ рдмрд╛рд╣рд░ рдЬрдирд╕рдВрд╕реНрдХреГрддрд┐ рдХреА рдЬрдбрд╝реЛрдВ рдХреЛ рдЯрдЯреЛрд▓рддреЗ рд░рд╣рддреЗ рд╣реИрдВ рдХреНрдпреЛрдВрдХрд┐ рд╣рдо рдорд╕рд▓реЛрдВ рдФрд░ рдореБрджреНрджреЛрдВ рдХреЛ рдХрд┐рд╕реА рд╕реАрдорд╛ рдореЗрдВ рдмрд╛рдВрдзрдХрд░ рджреЗрдЦрдиреЗ рдХреЗ рдЕрднреНрдпрд╕реНрдд рдирд╣реАрдВ рд╣реИред
рдЗрд╕ рдорд╣рд╛рджреЗрд╢ рдХреЗ рд╕рд╛рд░реЗ рдЯреБрдХрдбрд╝реЛрдВ рдХреА рд▓реЛрдХ рд╡рд┐рд░рд╛рд╕рдд рдореЗрдВ рдЕрдкрдиреА рдЬрдбрд╝реЗрдВ рдЦреЛрдЬрдирд╛ рд╣рдорд╛рд░реА рдЖрджрдд рд╣реИред
рдЗрд╕рд▓рд┐рдП рдмрд╛рдВрдЧреНрд▓рд╛рджреЗрд╢ рд╣реЛ рдпрд╛ рдкрд╛рдХрд┐рд╕реНрддрд╛рди,рдиреЗрдкрд╛рд▓ рд╣реЛ рдпрд╛ рд╢реНрд░реАрд▓рдВрдХрд╛,рднреВрдЯрд╛рди рд╣реЛ рдпрд╛ рдореНрдпрд╛рдВрдорд░ рдпрд╛ рдЕрдлрдЧрд╛рдирд┐рд╕реНрддрд╛рди -рдЪреАрдЬреЛрдВ рдХреЛ рд╣рдо рдЕрдкрдиреА рдирдЬрд░ рд╕реЗ рдкрд░рдЦрддреЗ рд╣реИрдВ рддреЛ рд╡рд┐рд░рд╛рд╕рдд рдХреА рдЦреБрд╢рдмреВ рдХреЛ рд╕реНрдкрд░реНрд╢ рдХрд░рдиреЗ рдХреА рдХреЛрд╢рд┐рд╢ рднреА рд╣реЛрддреА рд╣реИред
рдЗрд╕рд▓рд┐рдП рд╣рдо рдкрд╛рдХрд┐рд╕реНрддрд╛рдиреА рдбреНрд░рд╛рдорд╛ рдХреЗ рдЙрддрдиреЗ рд╣реА рд╢реМрдХреАрди рд╣реИрдВ рдЬрд┐рддрдиреЗ рдмрд╛рдВрдЧреНрд▓рд╛рджреЗрд╢реА рд╕рд╛рд╣рд┐рддреНрдп рдХреЗ рдпрд╛ рднрд╛рд░рддреАрдп рдлрд┐рд▓реНрдореЛрдВ рдХреЗред
рдЗрд╕ рджреЗрд╢ рдХреЗ рдмрд┐рдЦрд░реЗ рдмрдВрдЯреЗ рдЯреБрдХрдбрд╝реЛрдВ рдХреЛ рдорд╣рд╕реВрд╕ рдХрд┐рдпреЗ рдмрд┐рдирд╛ рд╣рдо рдорд╕рд▓реЛрдВ рдФрд░ рдореБрджреНрджреЛрдВ рдХреЛ рд╕рдВрдмреЛрдзрд┐рдд рдХрд░ рдирд╣реАрдВ рд╕рдХрддреЗред
рдмрд┐рдирд╛ рд░рд╛рд╖реНрдЯреНрд░ рдХреЗ рд╕рдВрд░рдХреНрд╖рдг рдХреЗ рдХреЛрдИ рдЕрдкрдХрд░реНрдо рдЕрдкрд░рд╛рдз рдХрд░реНрдо рдпрд╛ рдЖрддрдВрдХ рдХреА рд╡рд╛рд░рджрд╛рдд рд╕рдВрднрд╡ рд╣реИ рд╣реА рдирд╣реАрдВ,рдЕрд╕рд▓ рдХрд┐рд╕реНрд╕рд╛ рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ рдХрд╛ рдпрд╣реА рд╣реИ,рдЬрд┐рд╕рдореЗрдВ рднрд╛рд░рдд рдФрд░ рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдХреА рд╕рд░рд╣рдж рдПрдХрд╛рдХрд╛рд░ рд╣реИред
рднрд╛рд░рдд рдореЗрдВ рд╣рдо рдЕрдХреНрд╕рд░рд╣рд╛рдВ рдлрд┐рд▓реНрдореЗрдВ рдорд╛рдлрд┐рдпрд╛ рдФрд░ рдЧреБрдВрдбрд╛рд░рд╛рдЬ рдкрд░ рджрд┐рдЦрд╛рддреЗ рд╣реИрдВ рддреЛ рд╡рд╣рд╛рдВ рд╣рд░ рд╡рдХреНрдд рд╡рдЬрд╣ рднреНрд░рд╖реНрдпрд╛рдЪрд╛рд░ рдмрддрд╛ рджреА рдЬрд╛рддреА рд╣реИ рдФрд░ рдЕрдВрддрддрдГ рд╕рддреНрдпрдореЗрд╡ рдЬрдпрддреЗ рдФрд░ рдирд╛рдпрдХ рд╣рдореЗрд╢рд╛ рдЬрд┐рдВрджрд╛ рдпрд╛ рдореБрд░реНрджрд╛ рдЬреЛ рд╣реЛ рдЬреАрд╡рд┐рдд рд╣реЛ рддреЛ рдореБрд╣рдмреНрдмрдд рдХреА рдЬрдВрдЧ рдореЗрдВ рд╕рд┐рдХрдВрджрд░редрдмрд╛рдХреА рд╕рдмрдХреБрдЫ рдареАрдХрдард╛рдХредрд╣реБрдХреВрдордд рдФрд░ рд░рд╛рд╖реНрдЯреНрд░рд╡реНрдпрд╡рд╕реНрдерд╛ рдХреЗ рдЕрдВрддрд░реНрд╡рд┐рд░реЛрдзреЛрдВ рдХреА рдирд┐рд░реНрдордо рдЪреАрд░рдлрд╛рдбрд╝ рдирд╣реАрдВ рд╣реИред
рдкрд╛рдХрд┐рд╕реНрддрд╛рдиреА рдбреНрд░рд╛рдорд╛ рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ рдиреЗ рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдореЗрдВ рдХреЛрд╣рд░рд╛рдо рдордЪрд╛рдпрд╛ рд╣реБрдЖ рд╣реИ рдФрд░ рд╣рд╛рд▓ рдореЗрдВ рднрд╛рд░рдд рдореЗрдВ рдЙрд╕рдХрд╛ рдкреНрд░рджрд░реНрд╢рди рднреА рдХрд╛рдлреА рд▓реЛрдХрдкреНрд░рд┐рдп рд╣реИред
рд╡рд░реНрдЧреАрдп рджреГрд╖реНрдЯрд┐ рд╕реЗ рдПрдХрджрдо рдЕрд▓рд╣рджрд╛ рдкреНрд░реЗрдореА рдкреНрд░реЗрдорд┐рдХрд╛ рдХреА рдкреНрд░реЗрдо рдХрд╣рд╛рдиреА рд╣реИ рдЬрд╣рд╛рдВ рдкреНрд░реЗрдореА рдорд░рддреЗ рджрдо рддрдХ рдХрд╣ рдирд╣реАрдВ рдкрд╛рддрд╛ рдХрд┐ рдЬреЛ рдЦрдд рдореБрд╣рдмреНрдмрдд рдХреЗ рдЙрд╕рдиреЗ рдЦреБрдж рдЦреБрджрдХреЛ рд▓рд┐рдЦреЗ рд╣реИрдВ рдмрдЪрдкрди рд╕реЗ рдЬрд╡рд╛рдиреА рддрдХ,рд╡реЗ рдЙрд╕реА рдкреНрд░реЗрдорд┐рдХрд╛ рдХреЛ рд╕рдВрдмреЛрдзрд┐рдд рд╣реИ рдФрд░ рдмреЗрдкрдирд╛рд╣ рдореБрд╣рдмреНрдмрдд рдХреЗ рдмрд╛рд╡рдЬреВрдж рд░рдИрд╕ рдкреНрд░реЗрдорд┐рдХрд╛ рдореМрд▓рд╡реА рдХреЗ рдмреЗрд░реЛрдЬрдЧрд╛рд░ рдЧрд░реАрдм рдмреЗрдЯреЗ рд╕реЗ рдмреБрд░рд╛ рд╕рд▓реВрдХ рдХрд░рддреА рд░рд╣рддреА рд╣реИредрдЬрд┐рд╕ рдХрд╛рд░рдг рд╡рд╣ рдХрд░рд╛рдЪреА рдХрд╛ рд╕рдмрд╕реЗ рдмрдбрд╝рд╛ рдЧреБрдВрдбрд╛ рдмрди рдЬрд╛рддрд╛ рд╣реИред
рдпрд╣ рдбреНрд░рд╛рдорд╛ рдЗрд╕ рдмреЗрдкрдирд╛рд╣ рдореБрд╣рдмреНрдмрдд рдХреА рдмреЗрдЪреИрдиреА рдФрд░ рдХрд╛рд░рдирд╛рдореЛрдВ рдХрд╛ рдЬрдЦреАрд░рд╛ рд╣реИ рдФрд░ рдЗрд╕реЗ рдкреЗрд╢ рднреА рдХрд┐рдпрд╛ рдЧрдпрд╛ рд╣реИ рдмрд┐рд▓реНрдХреБрд▓ рдЙрд╕реАрддрд░рд╣редрдордиреЛрд╡реИрдЬреНрдЮрд╛рдирд┐рдХ рджреГрд╖реНрдЯрд┐рдХреЛрдг рд╕реЗ рдХрд╣рд╛рдиреА рдХреЛ рдирд┐рдкрдЯрд╛рдпрд╛ рдЧрдпрд╛ рд╣реИ рдФрд░ рдЗрд╕рдХреЗ рд╕рд╛рде рд╕рд╛рде рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдореЗрдВ рдЕрдкрд░рд╛рдз рддрдВрддреНрд░ рдорд╛рдлрд┐рдпрд╛ рддрдВрддреНрд░ рдХреЛ рдмреЗрд░рд╣рдореА рд╕реЗ рдПрдХреНрд╕рдкреЛрдЬ рдХрд░ рджрд┐рдпрд╛ рдЧрдпрд╛ рд╣реИред
рдпрд╣ рдбреНрд░рд╛рдорд╛ рдкреНрд░реЗрдо рдХрд╛ рд░рд╕рд╛рдпрдирд╢рд╛рд╕реНрддреНрд░ рдЬрд┐рддрдирд╛ рд╣реИ рдЙрд╕рд╕реЗ рдХрд╣реАрдВ рдЬреНрдпрд╛рджрд╛ рд╕рд┐рдпрд╛рд╕рддреА рдордЬрд╣рдм рдФрд░ рдордЬрд╣рдмреА рд╕рд┐рдпрд╛рд╕рдд рдХрд╛ рдХрд┐рд╕реНрд╕рд╛ рд╣реИ рддреЛ рдЙрд╕рдХрд╛ рднреМрддрд┐рдХреА рд╢рд╛рд╕реНрддреНрд░ рднреА рд╣реИред
рдХрд░рд╛рдЪреА рдФрд░ рд▓рд╛рд╣реМрд░ рдХреЗ рд╕рд╛рде рд╕рд╛рде рдЕрдХреНрд╕рд░рд╣рд╛рдВ рдХрд╢реНрдореАрд░ рдХреА рд╕рд░рдЬрдореАрдВ рдкрд░ рдХреЗрдВрджреНрд░рд┐рдд рдкрд╛рдХрд┐рд╕реНрддрд╛рдиреА рдбреНрд░рд╛рдорд╛ рднреА рд╡рд┐рджреЗрд╢реА рдХрдерд╛ рдФрд░ рдЬреАрд╡рди рд╢реИрд▓реА рд╕реЗ рдмреЗрддрд░рд╣ рдЙрддрдирд╛ рд╣реА рдкреНрд░рднрд╛рд╡рд┐рдд рд╣реИ рдЬреИрд╕рд╛ рдХрд┐ рд╣рдорд╛рд░реА рдлрд┐рд▓реНрдореЗрдВ рдФрд░ рд╕реАрд░рд┐рдпрд▓ред
рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ рд▓реЗрдХрд┐рди рд╡рд┐рд╢реБрдз рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдХреА рджреЗрд╢реА рдХрдерд╛ рд╣реИредрдПрдХрджрдо рджреЗрд╢реА рдкреНрд░реЗрдордХрдерд╛ рд╣реИ,рдЬреИрд╕реЗ рджреЗрд╣рд╛рдд рднрд╛рд░рдд рдореЗрдВ рдЕрдм рднреА рдореБрд╣рдмреНрдмрдд рдХрд╛ рдЗрдХрд░рд╛рд░ рдХрд░рдирд╛ рдореБрд╢рд┐рдХрд▓ рд╣реЛрддрд╛ рд╣реИредрдЬрд┐рдВрджрдЧреА рд░реАрдд рдЬрд╛рддреА рд╣реИ рд▓реЗрдХрд┐рди рдЬреБрдмрд╛рди рдкрд░ рдореБрд╣рдмреНрдмрдд рдХреЗ рдЕрд▓рдлрд╛рдЬ рдЖрддреЗ рдирд╣реАрдВ рд╣реИ рдФрд░ рдЬрдмрддрд▓рдХ рдЖрддреЗ рд╣реИрдВ,рджреБрдирд┐рдпрд╛ рдЬрд╣рд╛рдВ рдмрджрд▓ рдЬрд╛рддреА рд╣реИрдВред
рдЗрд╕ рдбреНрд░рд╛рдорд╛ рдХреЗ рдкреНрд░рджрд░реНрд╢рди рдХреЗ рд╕рд┐рд▓рд╕рд┐рд▓реЗ рдореЗрдВ рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдФрд░ рднрд╛рд░рдд рдореЗрдВ рднреА рдореБрд╣рдмреНрдмрдд рдХреА рдЗрд╕ рджрд╛рд╕реНрддрд╛рдВ рдкрд░ рдЦрд╛рд╕рд╛ рдЬреЛрд░ рджрд┐рдпрд╛ рдЧрдпрд╛ рд╣реИ рдХрд┐ рдХреИрд╕реЗ рдорд╛рдореВрд▓реА рд╕реЗ рдиреМрдЬрд╡рд╛рди рдиреЗ рдЕрдкрдиреА рдорд╣рдмреВрдмрд╛ рдХрд╛ рджрд┐рд▓ рдЬреАрдд рд▓рд┐рдпрд╛ рдФрд░ рдЙрд╕реЗ рдлрд┐рд░ рдХрд╣рдирд╛ рдкрдбрд╝рд╛ рдХрд┐ рд╕рд╛рд░реЗ рдЦрдд рдЙрд╕реАрдиреЗ рд▓рд┐рдЦреЗ рд╣реИрдВред
рдлрд┐рд░рднреА рднрд╛рд░рдд рдкрд╛рдХрд┐рд╕реНрддрд╛рди рд░рд┐рд╢реНрддреЗ рдХреА рддрд░рд╣ рдпрд╣ рдореБрд╣рдмреНрдмрддрдирд╛рдорд╛ рд▓рд╣реВрд▓реБрд╣рд╛рди рд╣реИред рдирд┐рд░реНрджреЗрд╢рдХ рдиреЗ рдХрд░рд┐рд╢реНрдорд╛ рдпрд╣ рдХрд┐рдпрд╛ рд╣реИ рдХрд┐ рдЗрд╕рдореЗрдВ рдЖрдкрд░рд╛рдзрд┐рдХ рд░рд╛рд╖реНрдЯреНрд░ рдХреЛ рдмреЗрдирдХрд╛рдм рдирдВрдЧрд╛ рдХрд░ рджрд┐рдпрд╛ рд╣реИред
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рдкреНрдпрд╛рд░реЗ рдЕрдлрдЬрд▓ |
Pyaray Afzal.jpg |
рд╢реИрд▓реА | рдкреНрд░реЗрдо, рдирд╛рдЯрдХ |
рд▓реЗрдЦрдХ | рдЦрд▓реАрд▓-рдЙрд░-рд░рд╣рдорд╛рди рдХрд╝рдорд░ |
рдирд┐рд░реНрджреЗрд╢рдХ | рдирджреАрдо рдмреИрдЧ |
рд╢реБрд░реБрдЖрдд 'рдереАрдо' | рдЬрд╛рдиреЗ рд╡реЛ рдХреИрд╕реЗ рд▓реЛрдЧ рдереЗ рдЬрд┐рдирдХреЗ рдкреНрдпрд╛рд░ рдХреЛ рдкреНрдпрд╛рд░ рдорд┐рд▓рд╛ |
рдкреНрд░рдХрд░рдгреЛрдВ рдХреА рд╕рдВрдЦреНрдпрд╛ | 37 |
рдирд┐рд░реНрдорд╛рдг |
рдкреНрд░рд╕рд╛рд░рдг рдЕрд╡рдзрд┐ | 40 рдорд┐рдирдЯ |
рдХрд▓рд╛рдХрд╛рд░
рд╣рдордЬрд╝рд╛ рдЕрд▓реА рдЕрдмреНрдмрд╛рд╕реА - рдЕрдлрдЬрд▓
рдЖрдЗрдЬрд╝рд╛ рдЦрд╛рди - рдлрд░рд╛рд╣
рд╕рд╛рдирд╛ рдЬрд╛рд╡реЗрдж - рд▓реБрдмрдирд╛
рд╕реЛрд╣рд╛рдИ рдЕрд▓реА рдЕрдмрд░реЛрдВ - рдпрд╛рд╕реНрдореАрди
рд╕рдмрд╛ рд╣рдореАрдж - рд░реБрдХрдпреНрдп
рдлрд┐рд░рджреМрд╕ рдЬрдорд╛рд▓ - рдореЛрд▓рд╡реА рд╕реБрднрд╛рди'рдЕрд▓реНрд▓рд╛рд╣
рд╕рдмрд╛ рдлрд╛рдЗрд╕рд▓ - рдЗрд░рд╕рд╛
www.dramapakistani.net/pyarey-afzal-episode-31-review/
Pyarey Afzal- Episode 31 Review ... What do you make of today's episode? ..... Pehle Afzal k gunda ban,nay wali episode k baad hamara reaction, aur phir Last ...
tune.pk/video/4687490/pyaray-afzal-episode-11-to-episode-20
Pyaray Afzal Episode 26 http://youtu.be/sGhLDJHPZqwPyare Afzal traps Wali and Kills him and becomes Hooligan (Gunda) -- PYARAY AFZAL BHAI IN EP 26.
tune.pk/video/4313653/pyarey-afzal-episode-33-complete-in-hd-
In This Episode Pyaray Afzal Episode 34 , This Episode is Starting from A Very Tragic Scene Where Afzal Bhai (Pyaray Afzal) Met with Her Mother and then ...
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тЦ╢ 38:19
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Sep 7, 2015 - Uploaded by Funlization (Pakistani Dramas)
pyaray afzal episode 32. Funlization (Pakistani Dramas). SubscribeSubscribedUnsubscribe 370370. Loading ...
tune.pk/.../pyaray-afzal-episode-32-full-on-ary-digital-pyaray-afzal-com...
Pyaray Afzal Episode 32 Full On Ary Digital - Pyaray Afzal Complete Episode 32,Pyaray Afzal Episode 32 Full On Ary Digital - Pyaray Afzal Complete Episode ..
tune.pk/video/4105077/pyaray-afzal-episode-31-ary-digital
Pyaray Afzal Episode 31 Full тАУ 1st July 2014 тАУ ARY Digital, Pyaray Afzal Episode 31тАУ ARY Digital, Pyaray Afzal Episode 31 by ARY Digital, Watch Pyaray Afzal ...
тЦ╢ 1:01
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Jun 7, 2015 - Uploaded by ZINDAGI Channel
Watch beautiful love story 'Pyaare Afzal' and other interesting shows only on Zindagi TV. For more details ...
тЦ╢ 0:31
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Jun 9, 2015 - Uploaded by ZINDAGI Channel
Watch this beautiful love story 'Pyaare Afzal' and other interesting shows only on Zindagi TV. For more ...
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Jun 7, 2015 - Uploaded by ZINDAGI Channel
Watch this beautiful love story 'Pyaare Afzal' and other interesting shows only on Zindagi TV. For more ...
тЦ╢ 0:21
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Jun 17, 2015 - Uploaded by ZINDAGI Channel
Pyaare Afzal is a beautiful love story, woven around two strikingly different characters of Afzal and Farah. Both ...
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Jun 22, 2015 - Uploaded by ZINDAGI Channel
Watch an unusual love story 'Pyaare Afzal' only on Zindagi. For complete episodic videos, visit: http://www ...
тЦ╢ 0:49
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Oct 31, 2014 - Uploaded by ARY Digital Network
Pyarey Afzal Episode 31 (Promo) - ARY Digital .... Pyaray AfzalEpisode 1 to Episode 5 | 480p | High Quality ...
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Pyaray Afzal Hits Indian Screens Finally!!! Here Is The Complete Promo of Pyaray Afzal Airing on Zindagi!!! Mon-Sat 8:30PM :-) Starring : Hamza Ali...
https://www.facebook.com/PyarayAfzal/videos/313602062155295/
Farah ne kia mohabbat ka iqrar, Afzal ko mil gya uska bichara pyar... Kia anay wali hai dono ki zindagi mai hamesha k liye khushiyon ki bahar ? ;)
tune.pk/video/3225315/-pyarey-afzal-new-promo-by-ary-digital
New Drama serial Coming Soon on AryDigital " Pyare Afzal" Cast : Ayeza Khan ... Anushay Ababsi & " Pyare Afzal" Pyar ko Pyar Mila 1st Promo By ARY Digital ...
тЦ╢ 0:42
vimeo.comтА║ Angela Hustam тА║ Videos
May 27, 2014
Pyaray Afzal Episode 26 FULL promoтАУ ARY Digital, Episode 26 FULL promo in high quality. Like Us On ...
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11/08/2015
Watch the video ┬лpyare afzal title song┬╗ uploaded by putlitube on Dailymotion.
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Watch the video ┬лPyare Afzal Song┬╗ uploaded by Entertainment Villa on Dailymotion.
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Aug 24, 2015
Pyaray Afzal Episode 1 | Romantic Pakistan Drama | First Episode Full in HD Video by ARY Digital. Repost тАж
тЦ╢ 21:51
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Last episode of pyarey Afzal pakistani Drama. ... Pyaray AfzalEpisode 1 to Episode 5 | 480p | High Quality ...
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"PYARAY AFZAL" TOPS THE LIST OF PAKISTAN'S BEST DRAMA OF 2014
KARACHI: After the annual 'Pakistani drama polls', drama serial 'Pyaray Afzal', which was aired on ARY digital tops the list of Pakistan's best drama of 2014.
'Pyaray Afzal', which was romantic drama serial got a huge rating on social media. This was stated that ''Pyaray Afzal' was women's ┬аfavorite drama.
The few dramas that stood out managed to showcase old stories with nuanced treatment and made us think beyond the binaries of black and white.
According to list, Pyaray Afzal stood first and Geo entertainment production 'Bashir Momin' got second position.
Another new channel which made an impact on the drama industry as a whole is the new Zee Zindagi channel from across the border. Introducing popular, high quality Pakistani dramas to the Indian masses, Zee Zindagi gave a new lease of life to many older serials like Humsafar, Durre Shehwar and Aunn Zara winning our artists, writers and directors millions of new fans.
http://www.baaghi.tv/pyaray-afzal-tops-the-list-of-pakistans-best-drama-of-2014/
The drama serial grabbed all the awards under television category at 14th Lux Style Awards.
Official promo:The power of words is a wonderful thing. It can melt a frozen heart, unite lovers, and mend pain. Pyarey Afzal is a heart touching story of a young man's struggle, to win the woman of his dreams. using words to paint canvases of love and affection. He expresses his desires in letters, but keeps them a secret. but when a conflict arises between families, the young man is forced to leave his home, a situation that exposes his hidden letters to everyone, including the woman of his affections.
Pyarey Afzal or Pyaare Afzal (Urdu: ┘╛█М╪з╪▒█Т ╪з┘Б╪╢┘ДтАО) ( English: Dear Afzal) is aPakistani romantic drama serial that aired on ARY Digital, directed by Nadeem Baig, written by Khalil-ur-Rehman Qamar and production of Six Sigma Entertainment. The drama was first aired on 26 November 2013 starring Hamza Ali Abbasi and Ayeza Khan in lead roles while had its ending episode on 12 August 2014 in various cinema screens and became first one to do so.[1][2]
Pyaray Afzal won many people's choice awards from Dawn readers in 2014.[3]Pyaray Afzal also aired in India on Zindagi Channel with the same name. TheExpress Tribune stated that Indian viewers liked "The script, dialogue delivery, background score and overall finesse " and created a lot of social media response.
Rarely does Hamza Ali Abbasi manage to steal hearts, but his drama PyaareAfzal has garnered much love from audiences across the border with his inimitable performance.
The Pakistani drama тАФ a huge hit in Pakistan тАФ has been aired on Indian TV channel Zindagi TV. India seems to be smitten by Afzal played by Hamza, as they pour their love for him on Twitter.
Written by Khalil-ur-Rehman Qamar and directed by Nadeem Baig тАФ the story revolves around a carefree man Afzal Subhanallah who is the only son of Maulvi Subhanallah.
He falls in love with Farah (Ayeza Khan), a rich mill owner's daughter, and asks for her hand in marriage. Considering his carefree attitude, the parents refused and a heartbroken Afzal leaves Hyderabad and moves to Karachi. Soon, he becomes caught up with the wrong people and becomes an infamous gangster working for the government.
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Due to its immense popularity, the last episode of the romantic drama was screened in various cinemas across the country and became the first TV serial to hit the big screen.
Afzal Subhan (Hamza Ali Abbasi) is the only son of Maulvi Subhanallah (Firdous Jamal). Afzal loves to play cricket in the streets and also gambles which his father despises and gets him in trouble with his father. Afzal secretly has a crush on Farah Ibrahim (Aiza Khan) the rich mill owner's daughter. Afzal receives letters from a girl named Farah which he reads in front of his friends, although he refuses to disclose the name of the girl who writes him letters. Farah on the other hand is getting married to Mahtab, a family friend. Farah along with her sister Lubna (Sana Javed) hire Afzal to be Farah's love interest so that Farah can get out of the marriage. As soon as Farah's wedding with Mahtaab is cancelled Afzal is supposed to leave Farah too. However Afzal instead of breaking their pretend relationship as per their initial plan, comes to Farah's house along with his parents for Farah's proposal. Farah humiliates and insults Afzal. Heartbroken, Afzal leaves Hyderabad for Karachi.
Afzal arrives in Karachi where he lives in a rented room. The house is owned by a woman and her daughter Yasmeen (Sohai Ali Abro). Afzal becomes good friends with Babu Hameed, his roommate. Afzal witnesses an incident in which Wali, Yasmeen's gangster cousin harasses her to marry him. Afzal has a fight with Wali and eventually Wali loses to Afzal. Wali vows to take revenge from Afzal for the humiliation he suffered at Afzal's hand. He along with his men comes and shoots Afzal. At the same time in Hyderabad Afzal's family is worried and upset because he has left without telling anyone. Farah becomes somewhat obsessed with Afzal, repeatedly mentioning him in her conversations. Lubna Farah's sister suspects that Farah is in love with Afzal but Farah denies her sister's accusation. Farah along with her father goes to Karachi in order to search for him. When they arrive they find that Afzal has been shot but has luckily survived. Yasmeen is moved by what Afzal has done for her and realizes that she is in love with Afzal. Upon meeting Farah she starts getting insecure. Wali taking advantage of Afzal's absence comes to Yasmeen's house again. Babu Hameed attempts to shoot Wali but gets shot instead. Afzal receives the news of Babu Hameed's death and decides to take revenge from Wali. Afzal's parents came to Karachi in order to meet him but he runs away before they reach. He along with his fellows kills Wali.
Afzal has become an infamous gangster who works for the government. His father deeply disappointed by the fact that Afzal has turned out this way disowns him. Meanwhile Farah's psychologist Sibtain comes to Farah's home for her proposal and expresses his desire to marry her. Farah reluctantly agrees. However she still cannot help obsessing over Afzal, upset that he might be with yasmeen. Farah decides to get engaged with Sibtain. Afzal hears about it and decides to get engaged with Yasmeen on the same day. Yasmeen and Afzal get engaged but Farah's engagement ceremony is brought to a halt when Maulvi Subhanallah suddenly has a heartattack. Afzal hears about his father's condition and heads back to Hyderabad with Yasmeen. Afzal's parents are initially reluctant to accept him but Yasmeen settles their issues and Afzal's relationship with his parents is smoothed out. Afzal receives a call from the people he worked for. Afzal tells them that he no longer wants to be a murderer. He wants to play cricket in the streets of Hyderabad.
Farah enraged that Afzal has gotten engaged with yasmeen, decided to marry Sibtain. Lubna reveals to Farah that Sibtain was not really interested in Farah but was giving her a shock treatment so she would accept her feelings for Afzal. Yasmeen is curious about the Farah who writes letters to Afzal. Afzal, unable to express his feelings to Farah had written letters from Farah to himself. Yasmeen goes to Farah and confronts her. She realizes that Farah is also in love with Afzal. She breaks her engagement with Afzal and decides to go back. Lubna tells Farah that she will marry Sibtain. Both families are happy to know the truth and decide to proceed with the wedding as soon as possible. Afzal, meanwhile, takes Yasmeen back to Karachi. On their way to Karachi Yasmeen tells Afzal that Farah loves him. When they reach Karachi, Afzal asks Yasmeen if he can come inside her house. Yasmeen, in her usual style says that if Afzal steps inside, he might fall for Yasmeen. She tells Afzal to call Farah and tell her he loves her and then Yasmeen will forgive Afzal. After he reaches Hyderabad he gets shot by some policemen and talks to Farah for the last time and dies.
I haven't gotten down to reviewing any serial in a really long time and the landscape seems to have changed. The likes of Faysal Qureshi and Fahad Mustafa seem to have been taken over by newcomers like Hamza Ali Abbassi and Junaid Khan that leave the girls swooning.
Hamza's claim to fame is Pyare Afzal that got him immese popularity thanks to his good looks. But is there more to this serial than Hamza? Read on to find out.
Pyare Afzal, ARY's presentation, is the story of Afzal (Hamza), ┬аthe song of a maulana, who is into bad habits and makes the mistake of falling in love with a girl Farha (Ayeza Khan) who doesn't return the favor causing him to leave his city and move to Karachi for greener pastures but ultimately his past comes knocking the door.
The story sounds simple on paper like most love stories but there is too much woven into it. The most beautiful thing is that the write (Khalil ur Rehman Qamar) creates a world that is unique and real. Characters behave exactly how they are. You can easily differentiate between a Karachi-wala and a Hyderabad-wala.
However, the bad thing is that there are some tracks that did not need. The story starts off well and you take an immense liking to the blooming love of Afzal and Farha and the twists that come keep you hooked. Yet, as the story moves to Karachi it takes a backseat. I wonder why the writer had to incorporate the goons track? The whole goon angle does nothing for the drama or the character. If it was to show as the reason why Afzal stays away from home or his parents hate him, the writer could've been more unique.
Still, some portions in Karachi work, like the track with Yasmin because every moment you wonder where this one is going. But again, some characters leave you confused as Farha's sister (Lubna, Sana Javed) who by the time story takes a U-turn is sidelined doing nothing. Moreover, the psychiatrist track again wasn't needed as the writer had the option of reincorporating Farha's old fianc├й. So many questions and no answers. This is surprising coming from the writer who is known for closing his serials quickly whereas this one went for a really long time that too without a reason.
Yet, you still stay glued mainly due to the beautiful direction (Nadeem Baig) and dialogues. The production values could've been better cause the serial lacks the grandeur feel. He creates an aura and excels great performances but I would say this is more of a writer's victory than director's because what you see is mostly conceived by the writer in this scenario and Nadeem doesn't show his own versatility.
The overall feel is very novelistic and even though one may not use these dialogues in real life, they work because you are lost in a world of your own. Plus, this is one of the very few serials in recent times that talk of passionate romance and you look at feelings grow from Farha's to Yasmeen's. You kind of get lost in the world of the characters cause ┬аthey are real. The OST, janay who kaisay log, even though not new does leave an impact.
As for acting, people are raving about Hamza Ali Abbasi but one actor that takes the cake here is Firdous Jamal as Moulvi Subhan'Allah. His mannerism, dialogue delivery everything is great. Actually, in almost every situation you wait for what will come out of his mouth, he is that good. One of the best written characters ever. Now, the lead, Hamza Ali Abbasi, is no doubt a good looking guy but as an actor he still has a long way to go. He looks like a hero but in the acting department looks weak in comparison to stronger actors. His dialogue delivery often gets very repetitive with the mono tone and he is kind of weak in emotional scenes as well, crying is not something he can do. This looks even stronger cause he is pitted against some great talent in some brilliantly written scenes. Yet, there is no denying that he has improved in comparison to his last few performances.
Aiza Khan looks breathtaking and her styling is to the point, this is the most pretty she has looked onscreen in a really long time. As an actor, the role required a great actor because the character goes through so much and even though Aiza tries, she couldn't do it to the T and leaves a little desired. The problem is the same again, she is pitted against powerful performers and often comes out weak. Even in confrontation scenes against her own sister. Sana Javed takes the cake who is turning into a powerhouse of a performer. Her role may become minor eventually but she sparks the screen whenever she appears.
Saba Hameed's role is an extension of what she did in Khalil ur Rehman's Manjali. She plays it beautifully but the role is boring cause she has done the exact same thing before. We just wish someone else could've done this. Don't get me wrong, Saba isn't bad at all, but she has done this before. Sohai Ali Abro acts well as well and so does Anoushey Abbassi. She shows maturity that very few actors of her age have and this girl can be great in supporting roles.
Other cast from Shehryar Zaidi to Vasay Chaudhry is excellent. It won't be state that this one has one of the most well-chosen cast and congratulatons to the director for that.
Overall, Pyare Afzal is one of the most powerful dramas of these days. It has a story to tell and it gets you absorbed; however, the mid portion when the focus shifts to Karachi and the whole goon track is not needed and one wonders why it was done. Still, it is a great watch thanks to incredible dialogues, great execution, fine chemistry between the actors, revitalizing love and powerful acting. A winner!
Rating:
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Review By: Taify
http://www.tv-kahani.com/pyare-afzal-ary-full-drama-review/?ckattempt=1
Some Wonderful Dialogues of Super Hit Drama "PYARAY AFZAL"
MAAZ AHMED SIDDIQUI
2014 is just coming to an end so I thought to give a small tribute to super hit Drama of 2014 "Pyaray Afzal". This was not just the drama but an emotional attachment, a roller coaster ride and an unforgettable Journey. Every scene every episode was a visual treat to watch. This drama had truly expressed the meaning of love and the deep reality of human relationship.
Poor Afzal he was shot dead when Farah finally embraced his love and actually wrote letter to him but missing Pyaray Afzal doesn't mean that I am only missing Afzal, how can we forget bubbly Yasmeen, Responsible Aarfa, Stylish Lubna, Confused Farah, Tensed Ruqqaiya( Wife of Maulvi Subhanallah), Respected Maulvi Subhanallah and brave Babu Hameed.
Pyaray Afzal took us all by Storm and it was not only popular in Pakistan but all around the globe, I have to admit that it is the highest quality drama produced by Humayun Saeed's production and indeed it will took many years now for ARY or any other channel to telecast such Gem again.
Round of Applause for Khalil ur Rehman for penning down this amazing story and dialogues
So let's remember Pyaray Afzal through some great dialogues of this drama:
![Pyare Afzal Drama 050]()
"Meri Auqaat nahi hai ke mein Farah se Muhabbat kar sakun lekin us se Muhabbat karne ka Haq hai mujhe"тАУ Afzal
"Muhabbat ko ghussa ajaina Farah to tum jeson ko bhi hojaati hai"тАУ Lubna
"Jab koi Naya Naya Musalman hota hai to kuch zayada hi Musalman hota hai"тАУ Lubna
"Mere abba kaha karte thay ke mardon mein se asal mard ko phechaana aisa hai jese saare tarboozon mein se lal tarbooz phechaana"тАУ Sheikh Ibrahim
"Dil ki Saari baatein dil walon ke pass amanat hoti hain aur who amanat mein khayanat nahi kya karte"тАУ Afzal
"Mein Maulvi Subhanallah ka beta hun Wali aur who mujhe bataya karte that ke maut Zindagi ki hifazat karti hai is se mat darna zindagi se darna yeh wahan maarti hai jahan paani bhi nahi milta"тАУ Afzal
"Pata hai yeh goli mujhe pheli baar nahi lagi aik goli mujhe Hyderabad mein bhi lagi thi dil ko cheerkar nikal gai thi mene khud operation kiya tha khud taanke lagai thay magar toota hua dil zayada solid nahi hota sirf zinda rakhne ke liye kaam ata hai"тАУ Afzal
"Mera naam badal diya jai Abba mujhe nahi pata yahan Afzal kon hai jo begunhai mein maare jaate hain ya jinko mene maara hai"тАУ Afzal
"Farah ke sirf moun per ghussa hota hai andar se to who bilkul mombatti hai zara si aanch dikhao pighal jai gi"тАУ Lubna
"Muhabbat agar cricket hoti to mein jeet gaya hota"тАУ "Afzal
"Is tarah milo jese bin bulaye gham se milte hain, pass bulaya dil mein rakha aur phir kaha tumhaari to aisi ki taisi"тАУ Lubna
"Jaag jao Farah is keemat per ke tumne kayion ki neendein haram kardi hain"тАУ Yasmeen
"Yeh akhri akhri badtameeziyan hain pyaray phir tum kahan aur mein kahan"тАУ Yasmeen
"Marne se dar nahi lagta yaar magar jeene ka buhat dil karta hai"тАУ Babu Hameed
![babu hameed]()
"Tumhaari Kasam Afzal chahe uske gham mein jalte rehna magar in khaton ko nahi jalana"тАУ Yasmeen
"Apko kasam hai meri shadi hojai to dua nahi dijiyega mera naam le kar khaiyega jao Farah humne tumhe maaf kya"тАУ Farah
"Main Afzal ban jaata lekin mujhe koi batai to sahi ke Afzal aisa hota hai"тАУ Afzal
Now some funny Dialogues:
"Mein tumhaara baap hun Farah koi channe bechne wala nahi"тАУ Sheikh Ibrahim
"Khat kyn likhongi phone mene mirchein peesne ke liye thori rakha hai"тАУ Lubna
This is my favourite one
"Mehboob ke sar ke aagey behen ka sar tarbooz hota hai"тАУ Lubna
Hence these are the only dialogues that I remember, so do you guys remember anymore amazing dialogues? if yes then please do share ![:-)]()
Director:Nadeem Baig
Writer:Not Available
Cast:Hamza Ali Abbasi, Aiza Khan, Saba Hameed, Firdous Jamal, Sana Javed, Saba Faisal, Anoushey Abbasi and Sheryar Zaidi.
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Pyaray Afzal Full Episodes
Pyarey Afzal┬╗
http://www.dramapakistani.net/category/ary/pyarey-afzal/
![Pyarey Afzal- Last Episode Review (Episode 37)]()
KANWAL MURTAZAAUGUST 13, 2014397 COMMENTS
Pyaar agar pyaar se kuch ziada ho, toh kya hota hai? When life throws you a curve ball how do you deal with it? Do you try to run away? Find someone to blame?
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![Pyarey Afzal- Episode 36 Review]()
KANWAL MURTAZAAUGUST 6, 2014219 COMMENTS
This episode was the perfect prelude to the much-anticipated finale next week. Yasmeen finally uncovered the mystery surrounding the letters- usney pyaar karney ka dosra rasta dhoond liya- wohh tumhari taraf se Afzal ko
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![Pyarey Afzal- Episode 35 Review]()
KANWAL MURTAZAJULY 30, 201476 COMMENTS
Pyarey Afzal happens to be one of those rare gems that forces me to stop doing whatever it is I may be tempted to do and give it my undivided attention. I may sound
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![Pyarey Afzal- Episode 34 Review]()
KANWAL MURTAZAJULY 23, 2014178 COMMENTS
From start to end, this episode was flawless. The dialogues, the execution, the sparing use of background music, the actors par excellence, could this possibly be the greatest drama bar none? We are nothing
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![Pyarey Afzal- Episode 33 Review]()
KANWAL MURTAZAJULY 16, 2014160 COMMENTS
Jo tumharey liye tarpey, tum toh ussey tarpa hi detey ho! Afzal can't help it; he has that kind of effect on people- everyone around him inadvertently falls in love with him. His parents
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![Pyarey Afzal- Episode 26 Review]()
KANWAL MURTAZAMAY 28, 201464 COMMENTS
Aaj ki raat khairiyat se katt gayi toh subha koi achi khabar milegiтАж But that was not meant to be! With revenge on his mind, Afzal went ahead and settled the score- an eye
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![Pyarey Afzal- Episode 25 Review]()
KANWAL MURTAZAMAY 21, 201479 COMMENTS
You know you've got it bad when you start adjusting your schedule around your favorite drama. This has been my struggle since the past few weeks. With no end in sight (not that I'm
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![Pyarey Afzal- Episode 24 Review]()
KANWAL MURTAZAMAY 14, 201477 COMMENTS
What a medley this is turning out to be! Chance meetings, confrontations, showdowns, just about everything rolled into 40 odd minutes. Farah and Yasmeen finally came face-to-face and fortunately neither of them went home
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![Pyarey Afzal- Episode 23 Review]()
KANWAL MURTAZAMAY 7, 201477 COMMENTS
As exasperating as it was to wait a whole week for tonight's episode, I'm relieved to report that there were no casualties! With two shots fired at point-blank range, I'll attribute the sloppy shooting
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![Pyarey Afzal- Episode 22 Review]()
KANWAL MURTAZAAPRIL 30, 2014112 COMMENTS
Beep. Beep. Beep. Beep. Beep. BANG. BANG. Today's episode made me squeal with excitement and then took my breath away. The pace was perfect- there was so much that transpired and the story is
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KANWAL MURTAZAAPRIL 23, 201431 COMMENTS
Lubna's confession has piqued Farah's curiosity and has brought out the green-eyed monster. By now, we had established that Farah was almost on her way to the madhouse due to her unexplainable temper tantrums
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KANWAL MURTAZAAPRIL 16, 201425 COMMENTS
Bow chika wow wow! So our fearless Yasmeen is coming on strong and poor Afzal has no idea what just hit him. All those mehmaan nawaaziyan aren't in vain- this girl is on a
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KANWAL MURTAZAAPRIL 9, 201435 COMMENTS
So it's clear now that Bollywood is here to stay! Last week we had a tryst with 80s flavour and this week we were treated to Legen тАФ wait for itтАж тАжDary action sequences
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KANWAL MURTAZAAPRIL 2, 201437 COMMENTS
Today's episode was a tribute to some of Bollywood's iconic moments- Arifa's "Hamarey paas maa Afzal hai"; Afzal's retort to the hiring manager who suggested he could work as a security guard and
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KANWAL MURTAZAJULY 9, 201473 COMMENTS
Jo rula sakta hai who impress bhi karsakta hai! Could there be a more precise description of our nishaaney-baaz Afzal? Farah uses the analogy of target killing to disclose the news of Afzal's engagement
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KANWAL MURTAZAJULY 2, 201460 COMMENTS
Round and round in circles we go, clutching at successes we never grasp, endlessly tripping over the same old failures. Truly, life is the misery we endure between disappointmentsтАж yet another episode that managed
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KANWAL MURTAZAJUNE 25, 201470 COMMENTS
The ramblings of our perennially befuddled Farah Ibraheem continue. Today's focus was on her mangni ki anghootiтАУ she rejected the one sent by Sabtain and promised her mom she won't cause a commotion on
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KANWAL MURTAZAJUNE 18, 2014191 COMMENTS
As much as I tune in for Afzal, today's episode had Yasmeen stealing everyone's thunder. What a fantastic actress she has turned out to be! The ease with which she speaks makes it hard
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![Pyarey Afzal- Episode 28 Review]()
KANWAL MURTAZAJUNE 11, 2014112 COMMENTS
Can anyone possibly look better than Hamza Ali Abbasi in a suit? If this is what a gangster looks like, I wouldn't be surprised if girls start fantasizing about the prospect of marrying one!